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ALTAR CROSS |
The story is an unusual one and begins (as so much at St. Augustine's does)
with George Hamilton Douqlas, Priest in Charge, 1928 1937. He was a man of taste
and discernment and he may well. have wished for a better Altar Cross than the
one he had, which was of brass on a stepped platform base, the arms having
trifoliate ends. In appearance it was heavy and clumsy, although it was
extremely light in weight, being made of sheet material and quite hollow. It
lacked even a closure at the back and was merely of U section, like a trough.
This is the Cross which can be seen in some old Photographs.
At about this time GHD appears to have obtained a rather beautiful chased
bell and he talked my father (Tinsmith, Sometime People's Warden and Chauffeur
to the Church boiler) into producing a new Cross using the bell as a base. Now
Bert Long was not primarily a worker in heavy metal but he was willing to try
anything (once) and out of a length of brass bar he fashioned the present Cross
and set it upon the upturned bell. What contribution each made to the design we
cannot now say, but between them, artist and artisan produced a structure of
notable elegance; and of course it was unique.
In order that the old Cross should not be thought of as 'lost' or as having
been summarily and heartlessly discarded, it was cut up and incorporated with
the lead ballast in the base, where some of the pieces may still be seen. This
small act of intuitive wisdom seems to be typical of what I used to regard as
the St. Augustine's style, where History is made from the simple acts of simple
men.
The rest of the story is soon told. The figure was added at a later date,
most probably also by my father. It is quite well modeled after the conventions
of its day and was originally gilded, although this has nearly all been rubbed
away. Being made of rather soft pewter like alloy the attachment could not be
well engineered, with the result that it has required attention a number of
times and it has usually fallen to my lot to render first aid.
CHARLES LONG.
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